{"id":23,"date":"2021-11-08T15:20:49","date_gmt":"2021-11-08T14:20:49","guid":{"rendered":"http:\/\/christiane-fuchs.com\/_wordpress581\/?page_id=23"},"modified":"2023-04-13T20:26:39","modified_gmt":"2023-04-13T18:26:39","slug":"bibliography","status":"publish","type":"page","link":"https:\/\/christiane-fuchs.com\/en\/bibliography\/","title":{"rendered":"Bibliography"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n
2010<\/td>\n <\/td>\nVorwort und \u00dcberlegungen zur nonfigurativen Aquarellmalerei<\/i>, Roland Scotti; Katalog Wasser\/Farbe Colour\/Water<\/i>, Museum Liner Appenzell, Steidl, G\u00f6ttingen<\/td>\n<\/tr>\n
2001<\/td>\n <\/td>\nChristiane Fuchs<\/i>, Nino Weinstock, Radical Painting und Pr\u00e4senz der Farbe in den achtziger Jahren<\/i>, Richter Verlag, D\u00fcsseldorf<\/td>\n<\/tr>\n
1998<\/td>\n <\/td>\nDas Bild als Vorgang<\/i>, Sabine M\u00fcller in Katalog Christiane Fuchs<\/i>, Galerie Ulrich Mueller, K\u00f6ln<\/td>\n<\/tr>\n
1997<\/td>\n <\/td>\nVon Strich zu Strich<\/i>, Sabine M\u00fcller, K\u00f6lner Stadt-Anzeiger 8.\/9.5.1997<\/td>\n<\/tr>\n
1995<\/td>\n <\/td>\nStandort und Ziel der Malerei, sechs K\u00fcnstler in der Galerie Ulrich Mueller<\/i>, K\u00f6lner Stadt-Anzeiger, 18.7.1995<\/td>\n<\/tr>\n
1993<\/td>\n <\/td>\nFarben in Beziehung<\/i>, J\u00fcrgen Kisters, K\u00f6lner Stadt-Anzeiger, 11.11.1993<\/td>\n<\/tr>\n
1991<\/td>\n <\/td>\nFarbe \u2013 Gemalte Farbe<\/i>, Ruth Diehl , Katalog Christiane Fuchs Ines Hock Patricia Moisan, Br\u00fchler Kunstverein
\nSchau der zarten T\u00f6ne<\/i>, J\u00fcrgen Kisters, K\u00f6lner Stadt-Anzeiger, 28.5.1991<\/td>\n<\/tr>\n
1990<\/td>\n <\/td>\nX Villa Minima Optima Socia<\/i>, Giovanne Pisacane-Rudorf, Katalog, Br\u00fchler Kunstverein
\nStr\u00f6me und Gegenstr\u00f6me: der uferlose Weg, Positionen der Kunst in den siebziger und achtziger Jahren, K\u00fcnstlerinnen des 20. Jahrhunderts<\/i>, Amine Haase, Wiesbaden, Verlag Weber & Weidemeyer<\/td>\n<\/tr>\n
1988<\/td>\n <\/td>\nIngo Meller, Christiane Fuchs, Ulrich Wellmann und Peter Tollens<\/i>, Ulrike Schuck, Das Kunstwerk Mai 1988
\nEssentielle Malerei in Deutschland<\/i>, Matthias Bleyl, Verlag f\u00fcr moderne Kunst, Zirndorf<\/td>\n<\/tr>\n
1987<\/td>\n <\/td>\nJ\u00fcngste Positionen radikaler Malerei in Deutschland<\/i>, Matthias Bleyl, Kunstforum International Nr. 88
\nDark Horses: Vier junge Maler aus K\u00f6ln<\/i>, Matthias Bleyl, Art Expo 87, Internationales Kunstjahrbuch Schweiz, Westermann Verlag<\/td>\n<\/tr>\n
1985<\/td>\n <\/td>\nDas Sehen von Farbe \u2013 das Erleben von Malerei<\/i>, Kunstbulletin 7\/8<\/td>\n<\/tr>\n
1984<\/td>\n <\/td>\nPr\u00e4senz der Farbe \u2013 Radical Painting<\/i>, Amine Haase, Katalog Verein f\u00fcr aktuelle Kunst, Oberhausen
\n\u00dcber die Grenzen des herk\u00f6mmlichen Bildes<\/i>, Amine Haase, K\u00f6lner Stadt- Anzeiger, 2.11.1984<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

2010   Vorwort und \u00dcberlegungen zur nonfigurativen Aquarellmalerei, Roland Scotti; Katalog Wasser\/Farbe Colour\/Water, Museum Liner Appenzell, Steidl, G\u00f6ttingen 2001   Christiane Fuchs, Nino Weinstock, Radical […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"templates\/template-fullwidth-no-title.php","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-23","page","type-page","status-publish","hentry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"en","enabled_languages":["de","en"],"languages":{"de":{"title":true,"content":true,"excerpt":false},"en":{"title":true,"content":true,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/christiane-fuchs.com\/en\/wp-json\/wp\/v2\/pages\/23","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/christiane-fuchs.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/christiane-fuchs.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/christiane-fuchs.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/christiane-fuchs.com\/en\/wp-json\/wp\/v2\/comments?post=23"}],"version-history":[{"count":23,"href":"https:\/\/christiane-fuchs.com\/en\/wp-json\/wp\/v2\/pages\/23\/revisions"}],"predecessor-version":[{"id":538,"href":"https:\/\/christiane-fuchs.com\/en\/wp-json\/wp\/v2\/pages\/23\/revisions\/538"}],"wp:attachment":[{"href":"https:\/\/christiane-fuchs.com\/en\/wp-json\/wp\/v2\/media?parent=23"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}